Blue Eye Hardtail 2024

Introducing the Blue Eye, a guitar that melds stunning aesthetics with powerful sound. Completed in 2024, this instrument boasts a sleek Sonic Blue finish that captivates the eye. The maple neck, complemented by a rosewood fretboard, ensures smooth playability and a touch of classic elegance.

Equipped with the renowned Kloppmann Errorhead Marcus Deml pickup set, the Blue Eye delivers an extraordinary sonic experience. The humbucker at the bridge provides a robust and commanding tone, perfect for those powerful riffs and solos. Complementing this are two single coils that add a remarkable range of tonal versatility, allowing for everything from crisp, clean tones to warm, bluesy vibes. Enhancing its performance, the Callaham bridge adds to the guitar’s superior sustain and resonance.

With the Blue Eye, you’re not just playing a guitar – you’re making a statement. Its striking appearance and exceptional sound quality make it the ultimate choice for any discerning musician. Elevate your performance and captivate your audience with the Blue Eye.

My Fender Stratocaster 1972 (Carlo) Restoration

This Stratocaster was rebuilt in the style of the Schecter guitars in the early 80s. My goal is to restore it to its original appearance. Because the 1972 Stratocaster is a testament to Fender’s relentless pursuit of innovation and craftsmanship. With its bold design and unrivalled playability, it represents a unique chapter in the history of the electric guitar. The ’72 Stratocaster features a distinctive design with a large headstock and three-bolt neck plate that sets it apart from its predecessors. Contrary to the legends of the unsuspecting, this design not only provides more sustain and stability, but also contributes to its iconic aesthetic. In addition, the ’72 Stratocaster is known for its incisive tone, which it owes to its excellent pickups. Whether you crave crisp cleans, gritty blues or searing leads, this guitar delivers with unrivalled clarity and dynamics. The 1972 Stratocaster epitomises the spirit of Fender, combining tradition with innovation to create an instrument that continues to inspire musicians around the world today.

Work is still in progress…

# Neck stripped from red stain and refinished with new Decal and aged
# Tuner Original F-stamped Fender
# Tuner Holes drilled to 10 mm
# String Tree Original Fender
# Nut Original Fender
# Trussrod with full function
# Neck Plate & Screws Original Fender
# Neck professional refretted
# Vibrato with all screws, clamp and springs Original Fender
# New Pickguard, new Pickup-covers, new aged Screws from Crazyparts
# Volume & 2 x Tone Knobs Original Fender
# Bridge, Middle & Neck Pickup Original Fender with leadcable-rewired
# Pots, cap, cables and 5-way-switch are new CTS and Fender and are rewired with no-tone-mod for the Neck-Pickup, Volume-Pot selected with 270 KOhm for the little Brightness-Kick
# Jackplate Original Fender
# Body stripped from red stain and refinished and aged

Gibson Les Paul Standard 54/58 Reissue 1971/72, converted at grandguitars.de

https://www.grandguitars.de/index.php?eID=dumpFile&t=f&f=7794&token=64708b11fad8e94412fa00ae77b4a2c263064de4

The PDF file discusses the Gibson Les Paul Standard models from the early 1970s, specifically focusing on the unique characteristics and sound quality of these guitars during Gibson’s phase of innovation to remain competitive. Here’s a summary of the main points:

  1. Model Variations and Evolution: The document talks about how Gibson Les Paul guitars evolved from the earlier ’54, ’58, and ’60 models into what was known as the “Deluxe” model by 1969. This evolution was partly due to Gibson’s response to modernization and competition, transitioning the famous Les Paul from its original design to variations that included different neck constructions and finish materials.
  2. Special Order Guitars: It highlights the rare “Special Order” Les Pauls from 1971 and 1972, which were produced in very limited quantities (20-30 pieces for some models). These guitars featured a blend of vintage qualities with modern adjustments, like different bridge types and pickup configurations. Notably, these models were equipped with features from their ’54 and ’58 predecessors but were crafted to meet specific musician requests outside of standard production lines.
  3. Construction Details: The guitars discussed include a return to some traditional features such as the one-piece neck and body, which were preferred for their classic sound quality. Changes in materials and design aimed to produce guitars with improved sound dynamics closer to Fender models, enhancing their appeal and marketability.
  4. Sound and Playability: The document elaborates on the sound quality of these guitars, noting their versatility and rich tonal characteristics. It describes the sound as capable of producing a deep blues tone and also adapting well to rock music, with modifications like switching from P-90 to humbucker pickups enhancing their sonic capabilities.
  5. Personal Reflections: Finally, the text includes personal notes from the author about the emotional and aesthetic appeal of these guitars, emphasizing how their sound and design contribute to a musician’s enjoyment and creative expression.